Abstract
Summary in English
Table of Contents


The proofread version as of 2004
is available as one complete (big) pdf-file or in several pdf-files (from 288 kilobytes to 1.8 megabytes) from the links below.
In the near future the whole or each of the parts might be updated according to information and criticism I have received in the past. Please check for News on this website.


See the complete dissertation as one single Webpage (3.2 MB!) - click here for the HTML-version

 

DOWNLOAD in form of Pdf-files

 

Download the complete dissertation in one single big pdf-file (ca. 5.2 Megabyte)
 Click here for the Complete Version

 

Single parts/chapters: 

– Title, Table of Contents, Abstract, Acknowledgement ...


– Introductory Chapters 1–3

– Chapter 4 TEMPERATUR, STIMMTONHÖHE UND KLAVIATURUMFÄNGE IM NORDSEEKÜSTENGEBIET

– Chapter 5 STIMMVORGANG: TECHNIK UND DAUER

– Chapter 6 FALLBEISPIEL: STIMMUNG UND TEMPERATUR DER VAN HAGERBEER/SCHNITGER-ORGEL DER GROTE SINT LAURENSKERK ALKMAAR

– Chapter 7 SUBSEMITONIEN IM ORGELBAU NORDDEUTSCHLANDS UND ANGRENZENDEN GEBIETEN

– Chapter 8 ORGELTEMPERATUR IN DEN GROßEN HANSESTÄDTEN

– Chapter 9 [is being worked on] ENSEMBLE-INTONATION UND ORGELTEMPERATUR

– Chapter 10 AUSBLICK: ORGELREPERTOIRE, IMPROVISATION UND ENSEMBLE-INTONATION

– Appendices, Bibliography, English Summary DIE STIMMUNGSRELEVANTEN EINTRÄGE DER RECHNUNGSBÜCHER DER LÜBECKER MARIENKIRCHE 1622–1707; TRANSKRIPTIONS- UND EDITIONSGRUNDLAGEN; WÄHRUNG, MAßE UND GEWICHTE; TRANSKRIPTION; LÄNGERE, FREMDSPRACHIGE ZITATE; LITERATURVERZEICHNIS


IMPORTANT NOTES

The downloadable pdf-version differs slightly from the print-version.
The pdf-version is as much as possible 'cleaned' from typos, and the text has undergone only minor editing.

The print version is slightly shorter (315 pages), than the pdf-version here (317 pages).
Therefore you might find a deviation of max. 2 pages concerning page numbers in
references to my dissertation elsewhere. The search function of your pdf-reader might assist in these cases.

The total number of footnotes remained the same in both versions.
However:
In the print footnote 9 had been added by mistake and left empty, and theerfore has been removed from the downloadable pdf-version.
Therefore the previious footnotes 10–23 became in the pdf-version the new footnotes 9–22, and a new
footnote 23 was added. From footnote 24 the numbering is the same in both versions.

Reviews

– A review of my PhD-thesis by Prof. Dr. Greta Moens-Haenen (Bremen, Hochschule für Künste) appeared in the Svensk tidskrift för musikforskning (STM), 2005.
My answers on each item of her critique are to be found in the comments)

Praise